Summerhall, Edinburgh: Choreographer Léa Tirabasso takes us on a lively romp through human nature in her latest dance piece, In the Bushes, a high-energy performance delivered by six talented dancers. Bold, surreal, and thought-provoking, the show challenges our perceptions of humanity by asking a poignant question—what distinguishes us from the rest of the animal kingdom?
Exploring Human Exceptionalism
Tirabasso delves into the idea of human exceptionalism, citing inspirations such as Guy Debord’s The Society of the Spectacle and Henry Gee’s The Accidental Species. Her thesis is straightforward yet profound: we are animals at our core. Struggling with societal manners and constraints, In the Bushes imagines who we might truly be when stripped of these social trappings.
Challenging the notion that humans are superior to other species, the piece examines our primal instincts—from playful interactions to raw emotional outbursts—all while traversing a spectrum of innocence, shame, and self-awareness.
Audacious Performance and Symbolism
The dancers radiate an unrestrained energy that reflects our sensory-driven core. The production begins with what seems like innocent play—toddlers rummaging through a dressing-up box as they squawk, coo, and interact like vibrant, larger-than-life characters. Occasionally resembling Teletubbies, their antics bring both humor and absurdity to the stage.
Eventually, the boundaries blur, leading to compelling moments of biting hands, slapping, and intimate exchanges. It’s a visceral portrayal of primal urges clashing with the societal imposition of shame and decorum. The transformation progressively unveils raw human vulnerability, portraying loss of innocence while skillfully exploring human rituals, including those tied to grief and death—behaviors nature often mirrors through animals.
Theatricality, Authenticity, and Artifice
One of the most striking aspects of In the Bushes emerges during its climactic scenes: a staged yet deeply resonant outpouring of grief. Fake tears, fabricated emotions, and exaggerated drama take center stage, echoing the human tendency to simulate feelings through art. This clever commentary highlights a central paradox—our capacity to express depth through artifice.
The performers behind this engrossing hour deserve high praise. To sustain such jittery, full-body physicality while embodying nuanced characters is no small feat. Their stamina and dedication make In the Bushes a compelling spectacle that blends humor, curiosity, and profound social commentary.
Beyond the Performance
Like animals, humans are often captivated by unfamiliar behaviors—and this production capitalizes on that fascination. Through surreal movements, symbolic gestures, and bursts of raw emotion, Léa Tirabasso engages audiences in pondering the essence of our humanity.
In the Bushes will run at Summerhall, Edinburgh, until 25 August, offering a thought-provoking and thoroughly entertaining dance exploration of who we really are.
