The hit HBO series The Righteous Gemstones wrapped up its fourth and final season with a bang, managing to capture the chaotic essence of its characters one last time. Known for its hilariously immoral family of televangelists, the show took viewers on a rollercoaster ride of debauchery, family drama, and absurd comedy centered around a South Carolina megachurch.
A Shift in Emmy Recognition
Despite being a critical darling, the first three seasons of The Righteous Gemstones only garnered four Emmy nominations in less prominent categories. Season four, however, changed the tide, receiving six below-the-line nods for categories such as cinematography, music supervision, sound editing, stunt coordination, contemporary costumes, and period makeup. The show’s explosive opening episode, set during the American Civil War and focused on the Gemstones’ ancestor Elijah (played by Bradley Cooper), delivered a standout performance, uniquely setting the tone for the final season.
The “Monster Episode”
One of the most compelling elements of the premiere episode was the cinematography, a feature that Emmy-nominated cinematographer Paul Daley carefully crafted. Daley drew inspiration from classic John Ford Westerns and epic war stories like Glory, even using a bleach bypass technique to add higher contrasts and muted tones to transport viewers into the battlefield. Yet, it was the harsh South Carolina summer conditions that made the scenes feel authentic.
“We’re on that set, in that campsite, for days,” Daley said. “The rainstorms, 100-degree days, and 95% humidity made it real. It wasn’t hard to feel like you were truly there.”
Music and Costumes Amp Up the Chaos
The second episode provided an entirely different vibe as it returned to the present-day Gemstone family. With an over-the-top telethon to honor their late mother’s birthday, the episode brought comedy and chaos to life through dazzling musical numbers and extravagant costumes.
Music supervisor DeVoe Yates, who earned an Emmy nod for this episode, explained the complexities of aligning the scoring with the show’s chaotic energy. “You see everybody all at once again, throwing themselves completely into this crazy, giant musical number. It’s chaotic but perfectly Gemstone,” Yates said.
Meanwhile, costume designer Christina Flannery orchestrated a theatrical masterpiece in the family’s attire. From oversized angel wings sourced from Ukraine to subtle nods to groups like Scientology, every outfit amplified the series’ dynamic storytelling. “Their costumes had to feel exaggerated and absurd because that’s what the Gemstones are all about,” said Flannery.
A Wild Swan Song
Perhaps one of the season’s standout moments was the family’s rescue mission for their father, played by John Goodman, who had exiled himself on a fishing boat in Florida. The sequence combined emotional resonance with the show’s signature comedic style as the family donned uniforms inspired by Scientology’s Sea Org and hilariously embraced their melodramatic personas.
“We leaned into the ridiculousness. Jesse looks like Elvis, Judy gives off Olive Oyl vibes, and Kelvin adds an overly theatrical touch by wearing a cape. It worked precisely because it was so silly,” added Flannery.
In the end, the final season of The Righteous Gemstones stayed true to its motto of going bigger, bolder, and more unpredictable. With these six Emmy nominations, the series has cemented its legacy as one of HBO’s most unique and chaotic comedies.
